Actors

I've been auditioning for paid acting gigs since the late 80's – starting with commercials. By 2010, I'd done over 60 national spots. It sounds like a lot because it is! But you know what's an even bigger number? The 100+ auditions I

I often see actors trying to read their lines out loud with different intonations – thinking they just need to figure out which way each line sounds best. Or worse – how they think casting wants to hear the lines. Remember that every person auditioning has the same sides/script you do.

When I'm coaching actors, I'm often asked how to make a performance stand out without being "over-the-top." Many things go into making a good performance great – but details are the key to taking your work to the next level. What is a

Because I've been acting for over 30 years, I get asked a lot of questions about the industry and how it works. I'm asked how to get jobs, how to handle working with A-listers, when and how to get an agent, or join the union,

In Targeting your type, we looked at ways to figure out how the industry sees you – your "type." In Typecasting, we got into the pros & cons of typecasting, as well as whether and how to make changes in the way you're perceived. The bottom line